the hellbox accepts rejects and embraces non-linearity
The plate says:
The quick brown fox jumps over the lazy |
the devil is in sorting out the details
In Ulysses, Stephen rejects the concept of historical linearity, but at the same time he cannot adapt to its ambiguity. It remains for him anarchic and threatening. The nonlinear representations in Finnegans Wake, on the other hand, delineate a paradigm that both rejects linearity and embraces complexity. The Museyroom episode and the responses that literary critics have made to it nicely illustrate this process.
Morton Levitt
Joyce and the Joyceans, p.166
Joyce and the Joyceans, p.166